Our Story

I always dreamed of working with my dad. He was a remarkable artist, and I wanted to share in his creativity. Unfortunately, by the time I was ready to collaborate, Alzheimer’s had begun to take its toll. After his passing, I was left with a deep sense of loss—not only for my father but for the opportunity we missed to create something truly special together.

That heartbreak became my inspiration. Losing my father to Alzheimer’s and witnessing the devastating effects of this disease compelled me to do something meaningful. I decided to honor his legacy by transforming his artwork into beautiful scarves and supporting Alzheimer’s research in the process.

Through Karnik by TK-LA, I feel connected to my father in a profound way, just as I hope these scarves serve as a connection for those who have lost loved ones to Alzheimer’s or are caring for those still battling the disease. It brings me joy to share his artistry in a form that can be cherished for years to come. My hope is that these scarves become heirloom pieces—timeless, beautiful, and filled with meaning. Each scarf is meticulously crafted by skilled artisans in a historic, 100-year-old mill in Como, Italy, ensuring the highest quality fabrics and attention to detail. But beyond creating something exquisite, I want TK-LA to make a difference. By supporting Alzheimer’s research, I hope to contribute to the fight against this terrible disease, helping families and individuals who are facing the same struggles as my family did.

                                                                                        Taline Kazandjian

                                                                                         Karnik by TK-LA

ABOUT THE ARTIST

Karnik Kazandjian was born in Beirut, Lebanon. He studied at the renowned school of applied art in Paris that pioneered the Independent Art movement of the 1960s, Academie de la Grande Chaumiere.

In 1969, he was invited to Yerevan’s Mashdotz Madenataran to study ancient Armenian manuscripts and miniature paintings. After his return, he developed a successful career as an interior architect for members of the Saudi Arabia’s royal family. During this period, his paintings followed a post impressionist style.

After his move to the United States, he researched the influences of religion and history in Armenian art. This research led him to develop his new style of painting that combines elements of Armenian history, alphabet, Christianity, and cultural artifacts using the miniature technique of Armenian manuscripts.